City Post expands to go short!!
Melbourne’s multi-award winning post-production facility, City Post expands capacity to take on short-form content, such as funded web-series and TVC’s as it also welcomes new staff.
“There’s such a huge range of fantastic content being produced in bite-sized form and we’re thoroughly enjoying working with a diverse range of passionate filmmakers to tell such a broad range of stories” says award winning editor and City Post’s MD, Wayne Hyett.
City Post recently completed grading on the web-series “Graceful: amazing Grace” (series 2) by Trumoney Films about growing up which launched 9 March; and a new December Media-backed web-series called “Incoming: Words of War” about seven soldiers who take part in a social experiment, due for release in April.
City Post also worked on ‘Girl, Interpreted” which was nominated for an AACTA award; “Trip for Biscuits’ released on ABC iView; “First Nations: Bedtime Stories” and the “The Drop Off” (series 2).
City Post has also ventured into the world of TVC’s; taking on a series of commercials for ‘Reflex Paper’, including housing the production on-site from pre-production through to delivery. And now colour grading has just completed on a new advertising campaign for Visit Victoria.
“As we’ve been expanding our capacity over the last couple of years,” says Operations Manager Nadia Diggins, “we’re finding we often have capacity to work on faster turnaround or contained productions such as TV commercials and web-series, in and around some of the larger projects we might have in production at any one time, like feature documentaries with Genepool Productions and DNX Media; TV series like Werner Productions’ “The Newsreader”; “The Record” for Her Productions; animated series like BES animation’s “Kitty is Not a Cat” or “Monster Beach” with Studio Moshi for Cartoon Network”
Joining the team are Anna Phelps as Post Producer, and Nick Prior as Media Operations Manager. Anna and Nick bring an extensive range of skills to the City Post team, with post-production credits ranging across reality TV, factual, live-to-air, advertising and branded content.
“City Post is all about delivering the highest quality work.” Nadia adds. “We’re using the same pool of experienced editors, VFX teams and graders as other facilities, with sophisticated editing, grading and sound-suites on-site and a robust, secure pipeline for working remotely. We’re very excited to be expanding both our client base and services.”
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